![zakir hussain dadra taal zakir hussain dadra taal](https://i.ytimg.com/vi/DEUuCfgFttc/maxresdefault.jpg)
Gifted with a very sweet and melodious voice, she had the good fortune of being groomed at the hands of Hirabai Barodekar and her talented brother, the late Suresh Babu Mane. And rightly so, because, amongst the younger set of the present day veterans, she ranks very high. "University educated Prabha Atre has opted for a career in vocal music. Talk about coincidence! I never heard this LP before a few days ago.
![zakir hussain dadra taal zakir hussain dadra taal](https://i.ytimg.com/vi/AOcyqvKyySw/maxresdefault.jpg)
I'm pretty sure I had the pleasure of hearing this live two weeks ago by a visiting singer from India performing in Melbourne. I think this may be one of Prabha Atre's only vinlys? I love the delightful first track on B1. It's probably not every ones cup of tea to listen to solely percussion, but I think this is an important historical recording.īy the way - I was listening to an awesome Mridangam solo on the great Darbar Festival Channel on YouTube - worth having a listen ( ) - what a unique and groovy sound! There is great range of HD videos on this channel updated regularly - I strongly recommend it to any fellow Indian Classical lovers.Ī1 - Allarakha - Tala Sawarib (11 Matras) with intro by Ravi Shankarī1 - Ramabhadran & Sivaraman - Variations In Khanda Chapu Tala (5 Matras) I am learning tabla myself so I enjoy the opportunity to listen to Tabla and other drum solo performances. I like these thick 60's pressings, they are so much more sturdy than the slim flimsy pressings that started being made in the 70's on-wards. I found this LP in a local shop a few weeks ago, it was pretty beat up, so sorry for that, but it plays pretty good considering. This is a live recording of some drum masters released in 1967. Although thumri has broadly evolved as a vocal form, many instrumental masters of initiative and vision have successfully given a new elan to its niceties and beauties by their sheer originality and virtuosity".
![zakir hussain dadra taal zakir hussain dadra taal](https://i.ytimg.com/vi/HgtPLJhw-gM/maxresdefault.jpg)
Distinctly erotic or devotional in content, it originated from the eastern region of Uttar Pradesh and eventually branched off into two different traditions of Lucknow and Benaras. "Thumri can be described as the final phase of the chequered evolution of Hindustani music which began with the massive, dignified dhrupad and dhamar, followed by the ornate, inventive khayal and lilting, racy tappa. Unfortunately there is an ugly sticker on the cover! I got annoyed with it only after I had packaged everything up in ZIPs. Here is another lovely flute LP by Hariprasad Chaurasia 1977. On side B we have Rishabh Asavari - an early morning melody creating a mood of pathos and separation.ī1 - Raga Komal Rishabh Asavari (Jhaptaal) Some of you might be aware of Ali Akbar's first LP the 1955 'Music of India (Morning and Evening Ragas)'.īack to this LP! On this album we have the evergreen Raga Yaman - a major sounding scale with a raised 4th. Chatur Lal was there at the beginning of the Indian Classical LP inception in the 50's accompanying the likes of Ali Akbar Khan.
#ZAKIR HUSSAIN DADRA TAAL MOVIE#
In fact I think I heard a dilruba in a soundtrack for a few minutes in a movie (along with Tabla) when I was a child - which I think was the seed to my interest in India / Indian Instruments much much later.Īn interesting fact I was unaware of - Ram Narayan's brother was legendary Tabla maestro Chatur Lal. Nathuji Biawat was an accomplished Dilruba player) hauntingly beautiful. I find the sound of Sarangi and Dilruba (Ram's father Pt. These solo Sarangi performances are unique in that the instrument has mainly been sidelined to accompanist status for Vocalists etc. Here is a rare 1970 Indian release of Ram Narayan.